STATE OF THE ART: A Survey of New Mexico Artists

The very first artists who came to work in New Mexico found themselves on a harsh frontier. Harold Elderkin and his wife moved to Santa Fe in 1886 to run a gallery and teach painting lessons, but left for El Paso two years later. An artist named George Stanley tried the same thing in 1897 and failed even faster.

The 1920s saw an influx of artists who had already established their careers on the East Coast. The Southwestern landscapes they sent home would build this region’s reputation for stunning natural beauty and great art. Nowadays, Santa Fe is one of the nation’s largest art markets and New Mexico is a magnet for artists from across the globe.

Though New Mexico has changed a lot since those first creative pioneers settled here, the independent spirit of the frontier lives on through art. Our April 5-18 exhibition “State of the Art”showcases the work of seven recognized contemporary masters who work in New Mexico. Their art may be as diverse as our desert sunsets, but it’s all influenced by the Land of Enchantment.

Jamie Chase moved to Santa Fe in 1980 from his home state of California. He initially found success here painting traditional landscapes, but started exploring other styles and subject matter as he developed his own visual vocabulary. His current work includes non-objective paintings, abstract landscapes and abstracted figurative paintings. “State of the Art” will feature his elegantly abstracted female figures, who roam among dazzling color fields in search of transcendence.

The landscape-based abstract paintings of Terry Craig are literally rooted in the earth. He uses powdered pigment, marble dust and other materials to explore the tension between careful geometric order and wild gestural strokes. The Albuquerque artist draws inspiration from colors and patterns he sees in nature, but when he puts brush to surface he surrenders to his subconscious.

Annie O’Brien Gonzales was born and raised in Oklahoma and got her BFA in painting and art history at Oregon State University. She pursued fiber arts for many years but recently switched back to painting. You can still see traces of her fiber work in the bold patterns and colors she incorporates into her still life paintings.

Form and line, and observation, are the tools of the passage of my self-discovery,” says 89-year-old Santa Fe artist Robert W. Hinds. The sculptor worked as an illustrator and graphic designer before deciding to explore the third dimension. His bronze sculptures are of animals and people, and often show surreal interactions between them. Hinds’ abstracted style is contemporary, but the stories he tells through his sculptures recall Classical myths.

Frank Morbillo was raised on Long Island, but moved to Montana and then Santa Fe as a young adult. His sculptures speak the same language of entropy and change as New Mexico’s majestic rock formations, with an added element of political dialogue that you’ll find in his inquisitive titles. “I often find myself walking the line between artist and activist,” he says.

You’ll find old letters, candy wrappers, bits of string and other flotsam and jetsam in Kate Rivers‘ mixed media works. The artist, who grew up in Ohio and now lives in Santa Fe, uses these often overlooked objects to investigate memory and metaphor. Her most recent works are enormous collages made of dozens of stitched-together book bindings. Fragments of titles jumble together, encouraging new associations between the stories and characters behind them.

Diane White may be well versed in traditional still life techniques, but a closer look at her serene paintings of ceramic pots and other vessels will lead to fantastical discoveries. The Santa Fe artist, who worked for many years as a potter before studying painting at the Loveland Art Academy, weaves elements of magical realism into her works right under the viewer’s nose. Magical realism is a literary genre made famous by writers like Gabriel Garcia Marquez that illustrates extraordinary events in the context of a quotidian setting. Pay attention to every detail in White’s work and you’re sure to discover something supernatural, from a leaf transforming into a butterfly to a bouquet of lilies melding with the night sky above it.

State of the Art” opens Friday, April 5 from 5-7 pm and runs through April 18, 2013. Check out our Facebook and Twitter pages for more information.

Hannah Holliday Stewart (1924 – 2010) A Sculptor Who Forged The Way

Hannah Holliday Stewart (1924 – 2010) had her sculpture exhibited in over 40 venues including The Smithsonian, Washington, DC; the San Francisco Museum of Art; the High Museum of Art, Atlanta, Georgia; the Dallas Museum of Fine Arts and others. Her work and her career were instrumental to the increased recognition of women sculptors in the United States. The International Sculpture magazine wrote :

“(She) forged the way for serious women sculptors. Uniting Greek mythology and contemporary energy concepts … (her) work fuses both primitive and futuristic sensibilities.”

At a time when the art world marginalized women artists, she chose to create her own world from metal and stone and helped lead the way for a generation of women sculptors. Though she had achieved a high level of success and recognition, she eventually turned her back on the art establishment and continued to work in isolation for the last twenty years of her life. After her death in 2010, sculptures, consisting of work that spanned her entire career, were discovered in her studio – from pieces that are only a few inches tall to one bronze that is over nine feet.

A written statement discovered in one of her notebooks eloquently records her own thoughts on the origins and principles underlying her art work:

When I was eight years old, I asked my mother what the wind really looked like. I remember spending hours … days … sitting with my hands open wide or running with my lightning-bug jar, hoping to catch the wind. I wanted to SEE the wind, that magical force that could bend the huge oak tree in a summer storm, gently caress me on a hot summer day or sing to me as it played through a tree or around the house.

This early interest in natural forces has sustained me throughout my life as a sculptor. My goal is to render visible the hidden realities of pent-up contained energy. The direct fields of reference are Sacred Geometry, Astronomy, Myth & Physics … Each Sculpture is an energy form, the movement arrested in space, a form sustaining an energy. My work is a response to these patterns and delineations and communicates with viewers through the universality of symbolism and form.

The Matthews Gallery is pleased to show this pioneering artist and reacquaint the world with her work. If you would like to learn more about Hannah Holliday Stewart, we have created a website dedicated to her life and work which includes a 163 page online catalog of her work. Click Here to visit the site.