For our NEW HORIZONS: Focus on Landscapes show, running now through October 27, Tesuque sculptor Frank Morbillo‘s latest body of work engages with our diverse collection of contemporary landscape art. Throughout the exhibition, you’ll find observations by Morbillo and seven other artists, many of whom are inspired by the same severe desert expanses and infinite skies. Below is a selection of works and quotes from the show:
Frank Morbillo finds patterns wherever he looks in the natural world.
Kate Rivers uses manufactured patterns to form fractured reflections of nature.
“What’s a pattern? Something that might be predictable. When I observe things, that’s what I see. As an artist, you take all of these different things and see how they work together.”
“I’m using this history of text and image as something that is beautiful, and weaving the words together.”
David Grossmann abstracts his landscapes to lay bare underlying rhythms.
Frank Morbillo traces the formation and disruption of natural rhythms.
“My paintings… are simplified rhythms of color, light, and shape. On the surface they are quiet whispers, but I hope that they convey a depth of emotion to anyone who takes the time to stop and listen.”
“Entropy is the introduction of chaos and disorder. That’s a root of what I’ve done over the years. You take something that could be highly organized, and understand that everything, all things, are subject to entropy. As much as we feel like we’ve created something that defies that, there’s no chance. Everything is subject to it.”
Terry Craig blends materials to mimic natural textures.
Frank Morbillo places materials with contrasting textures side-by-side.
“It took a long time… to develop the formulas and get the materials to do what I wanted them to do. You can scrape into it and get all sorts of these wonderful organic qualities.”
“Glass is a beautiful material that sets up this nice contrast with the metal. If you add texture to it, it takes on a different color. The light behaves differently going through it.”
Jamie Chase uses multiple layers of paint to reveal and obscure different hues.
Frank Morbillo relies on the properties of glass to enhance his palette.
“There are so many narratives underneath the final painting. It starts out as something really dark or really dramatic in contrasting colors, and by the end it’s almost neutral colors, but there’s something moving under the surface.”
“The glass introduced color into the work that really isn’t achievable in metal. The cobalt blues and reds and ambers have a quality that you can’t get with any of the metals.”