Roch Hart with his pie safe “The Storytellers”
“Furniture is art,” says Roch Hart. It’s a credo the Albuquerque fine furniture maker repeats every time he brings a new creation to the gallery. In Hart’s case, it’s true: each hand-carved piece of sugar pine is as unique as a painting on our wall. This is nothing you’d find at IKEA.
Check out our blog post chronicling Roch’s journey from Spanish Colonial furniture enthusiast to bona fide sculptor, and then delight in the details of his latest creation. This pie safe, dubbed “The Storytellers“, holds quite a few tales…
Hart often draws inspiration from New Mexico petroglyphs.
“A spiral can mean a lot of different things depending on its context, but here it represents eternity or travel,” Hart says. In particular, this symbol refers to a journey from the depths of the earth.
These symbols on the sides of the pie safe tend to appear together in glyphs. The one on the left with its mouth shut tight is the “listener”, and the one on the right is the “storyteller”. It’s the yin-yang of cultures that depend on the voice to pass down vital knowledge.
The designs surrounding the faces also have an important meaning. Just like the Zia on the New Mexico state flag, they represent the sacred, pervasive number four: four compass directions, four seasons, four stages of a person’s life.
“This is mimicking the Navajo rugs,” explains Hart. “I thought it would be a great border for the faces.”
Hart uses white ash to make his patterns bolder, rubbing it into the cracks by hand atop a layer of shellac. The finishing touch is a light coat of wax.
Near the beginning of his journey to furniture mastery, Hart visited the Nicolai Fechin House in Taos. Fechin was a Russian painter and carpenter who moved to New Mexico in 1923 and purchased a small adobe home that he would greatly expand over the years. The home is now a museum, and when Hart visited to study the furniture he had a chance encounter with Fechin’s daughter Eya. She taught him about the different joints that her father used, including the sliding dovetail joint pictured here.
“That changed my life,” Hart says. “I looked at [Fechin’s work] and said, ‘I can do anything. Nobody told him what to do.'”
The grid Hart uses as a window for the pie safe doesn’t have an age-old legend behind it. It’s one of Hart’s signature designs that appears in many different manifestations in his work. Myriad influences come together in Hart’s exquisite furniture, but each piece is imbued with his unique sensibility.
See more of Roch’s creations on his artist page, and connect with us on Facebook, Twitter and Instagram for daily gallery updates. Also, check out our upcoming exhibition FOUR CENTURIES: European Art from 1600 to 1950, opening June 13!
2 thoughts on “THE STORYTELLER: From petroglyphs to pinewood”
[…] that Hart’s adventurous occupation and his impressive hobby were connected. As chronicled in previous posts, many of his works feature symbols from the petroglyphs he discovers on the ranch. The ancient […]
[…] Roch leans down next to a new pie safe called Crossroads. He points out symbols influenced by Pueblo petroglyphs, and patterns on the sides with a distinct Navajo flavor. “With the arrival of the Navajos […]